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The ampersand (&) is a symbol that represents the word “and.” It is derived from the Latin word “et,” which means “and.” The ampersand dates back to ancient Rome. It was first used by the Roman scribes in the 1st century A.D. as a way to abbreviate the word “et.” This was done by combining the letters “e” and “t” into a single character. The ampersand was originally written as a ligature, a combination of two or more letters written as a single symbol. (lecture)
The ampersand was widely used by the Romans and continued to be used for many centuries after the fall of the Roman Empire. In the 18th century, the ampersand became more widely used in English.
We know the origin of the symbol Et but where did the word “ampersand” come from? The word "ampersand" is a shortened form of the phrase "and per se and," which means "and by itself." It is believed the word "ampersand" was coined by schoolchildren. It was common practice to add the “&” sign at the end of the alphabet as if it were the 27th letter, pronounced as the Latin et or later in English as and. As a result, the recitation of the alphabet would end in “X, Y, Z, and per se and”. This last phrase was routinely slurred to “ampersand”. The term "ampersand" had entered common English usage by 1837. explained
Create at least 3 original ampersands.
Define a visual system based on the information of one ampersand to create a logotype
understand the history of the ampersand
expanding your drawing skills in Glyphs: extrema, points, and handles
exploring how to define a system - similarities and differences between characters
use your defined system to develop 2 characters
pdf of: Contemporary Ampersands
Instagram :: 1 :: 2
The invention of the ampersand is usually credited to Marcus Tullius Tiro, who was the faithful slave and secretary to the Roman lawyer and politician Cicero. Tiro invented a shorthand writing system in 63 B.C. called Tironian Notes, which included the ampersand.
Jan Tschichold (1902 – 1974) was particularly interested in the design of the ampersand, which he believed was an often overlooked symbol in typography. In his book "The Form of the Book," Tschichold argued that the ampersand should be designed with the same care and attention as the other letters of the alphabet. He believed that the ampersand should be treated as a unique and distinctive symbol. Tschichold devoted an entire study to the development of the ampersand in his 1953 booklet “The Ampersand: Its Origin and Development,” where he collected hundreds of ampersands to chronicle the character’s evolution from 1st century Pompeiian graffiti, through medieval manuscripts, and finally to 19th century printed forms.
Tschichold’s ideas about the ampersand and its role in typography have had a lasting impact on the field, and his ideas continue to be influential to this day. Many modern typefaces feature expressive and stylized ampersand designs, reflecting Tschichold's belief in the importance of this often-overlooked symbol.
There are two basic forms of the ampersand, with many variations of both: the traditional, classic double counter version (&), and the style that looks more like an E or an et, sometimes with the addition of curves and flourishes. It is common for an upright, Roman typeface version to have the first style, with its companion italics switching to the second, more calligraphic version. Most fonts have just one ampersand, but with the expanded character set of the OpenType font format, some contain two or more versions, occasionally including a small cap ampersand that is designed to match their shorter height.
Jonathan Hoefler, the founder of the Hoefler & Co. type foundry, is known for his love of the ampersand symbol (&). Hoefler has said that the ampersand, which is used to represent the word "and," is a "lovely little glyph" and a "perfect example of the power of typography." He describes the ampersand as a "visual bridge" that connects letters and words and has praised its versatility as a design element. Hoefler & Co. has produced a number of popular typefaces that feature prominent ampersands, including Hoefler Text and Sentinel.
Monday, February 20
Drawing Prompts a guide.
Intro and workday
Watch: sketching out of the confort zone
Sketching visual explainations: Sketching Techniques : double pencil
EXPLORE! make make make. Here is a guide.
When you have exhausted your making.
Pick three that you like the best, are the most different from each other.
Sketch more if you need/want.
Pick your favorite 3 ampersands (yes any of them).
Look at adding weight to them if they are monoline.
Digitize/Draw the 3 in the same Glyphs file (-- just use ABC or 123)
*work on Revival research and presentation
Wednesday, Feb 22
Inclass show and tell
Refine Ampersands and Logotype
Refine and Finish 3 ampersands
Turn 1 into a logo type
Start Revival Research
Watch Robin Mientjes
Refine and finsh up 3 Ampersands.
(optional) Pick one and sketch a logotype. Take your favorite ampersand and create a logotype. Create a custom letter for each side of the &. Look to your ampersand for clues about stem thickness, thick and thins, stroke endings, proportion.
Start a serious look for a revival. <- refer to link: presenation due next class
Monday, February 27: DUE
Present 3 Ampersands and logotype is optional
Present Revival research and plan.
Follow the folder hand-in structure...
Make folder on the google drive. Use this folder/file structure for every project.
Folder: Your name: Project Name inside that folder a
______ Folder: Scans with your Scans/Sketches,
______ Folder: Glyphs with your glpyhs app file and the otf file
______ Presentation pdf
______ Instagram images or riso poster/postcard etc...
______ Project Overview (google doc or word) your review of the project.